In his highly architectural paintings, muscular but faded works executed in a strong palette, the artist constructs spaces between the visible and implied. Straight lines, partially erased and always somewhat obscured by rougher patches of material, constitute invisible spaces produced through the viewer’s desire for consummation. On the picture plane, these marks remain points of light in the undifferentiated conceptual darkness that insist on the treatment of the spatial as the key to any aesthetic narrative.
